< Previous190 Harper’s Bazaar Saudi Summer 2021 ﻊﻴﺠـﺸﺗ ﰲ دﻮـﻬﺠﻟا هﺬـﻫ ﻢﻬـﺴﺗو .ﺔـﻴﻨﻔﻟا تﺎـﻴﻟﺎﻌﻔﻟاو ضرﺎـﻌﳌا ﺐﻠﻄﻟا ﻲﻣﺎﻨﺗ يدﺆـﻳ ماﻛ .نﻮـﻨﻔﻟا قﺎـﺸﻋ ﻦﻣ ﺪﻳﺪﺟ ﻞـﻴﺟ رﻮـﻬﻇ .ﺔﻴﻨﻃﻮﻟا نﻮـﻨﻔﻟا رﻮﻄﺗو ﻮنم زﺰـﻌُﺗ ﺔﻴﺑﺎﺠﻳإ ﻢﻋد ﺔـﻘﻠﺣ رﻮـﻬﻇ ﱃإ عﺎﺒﺗﻻ صﺮﻔﻟا ﻦـﻣ ﺪﻳﺰبم ﺚﻳﺪﺤﻟا ﴫـﻌﻟا ﻮﻧﺎﻨﻓ ﻊـّﺘﻤﺘﻳ ماـﻨﻴﺑو ﰲ ﺔـﻴﻨﻔﻟا ﻊـﻄﻘﻟا ﻲـﻌﻣﺎﺟ رﻮـﻀﺣ نﺈـﻓ ،ﺔﻣاﺪﺘـﺴﻣ تﺎـﺳرماﻣ ﻊﻓاوﺪﻟا ﻢﻫأ ﻦﻣ” :ﻦـﻳﱪﺠﻟا نﺎيمإ لﻮﻘﺗو .ًﺎﺤﺿاو لاﺰـﻳ ﻻ ﺔـﻜﻠﻤﳌا ﻢﻬﻔﻐـﺷ ﻲﻫ ﺎﻣ ﺔﺣﻮﻟ ءﺎﻨﺘﻗﻻ ﺔـﻴﻨﻔﻟا لماﻋﻷا ﻲـﻌﻣﺎﺟ دﻮـﻘﺗ ﻲـﺘﻟا كﺎﻨﻫ ﻦـﻜﻟو .ﻢﻬﻟزﺎﻨﻣ ﻞـﺧاد ﻪـﺗﺎﻋاﺪﺑإ ضﺮـﻌﺑ ﻢـﻬﺘﺒﻏرو نﺎـﻨﻔﻟﺎﺑ ﺔﻋﻮﻤﺠﻣ ﺪﺟﻮﻳ ﺚـﻴﺣ ،ﻲﻨﻔﻟا رماﺜﺘـﺳﻻﺎﺑ ﻖّﻠﻌﺘﺗ ىﺮـﺧأ تاﺰـّﻔﺤﻣ .“ﻦﻔﻟا عﺎـﻄﻗ ﻢﻋﺪﻟ ّﺪـﺠﺑ نﻮﻠﻤﻌﻳ ﻦـﻳﺬﻟا صﺎﺨـﺷﻷا ﻦـﻣ ﺔـﻴﻋاو ﻦـﻔﻟا ﺦـﻳرﺎﺗ ﻞﻴﻜـﺸﺗ ﰲ ﺔـﻴﻨﻔﻟا لماـﻋﻷا ﻮـﻌﻣﺎﺟ ﻢﻫﺎـﺴﻳو نﻮـﻨﻔﻟا قﺎـﺸﻋ ﻊـﻣ ﻢـﻬﻠﺻاﻮﺗو ﻢـﻬﺗاراﺮﻗ لﻼـﺧ ﻦـﻣ ﴏﺎـﻌﳌا ماـﻛ .ﻦـﻔﻟا قﻮـﺳ ﰲ ينﻴـﺳﺎﺳﻷا ينـﺒﻋﻼﻟاو ينـﻧﺎﻨﻔﻟاو ينـﺿرﺎﻌﻟاو ﴏﺎـﻌﳌا ﻦـﻔﻟا ﺪﻬـﺸﻣ ﻢـﺳر ﻦـﻳزرﺎﺒﻟا لماـﻋﻷا ﻲـﻌﻣﺎﺠﻟ ﻦـﻜيم ينﻴﻨﻔﻟا ينﻤّﻴﻘﻟا رود ﻞـﺛﺎيم ﻦﻔﻟا قﻮـﺳ ﰲ يرﺒﻛ يرﺛﺄﺗ ﻢـﻬﻠﻓ ،ﻪـﻤﻴﻗو .ﻒـﺣﺎﺘﳌا ءارﺪـﻣو دﺎـﻘﻨﻟاو ،ﺔﻳدﻮﻌـﺴﻟا ﺔﻴﺑﺮﻌﻟا ﺔﻜﻠﻤﳌا ﰲ ًﺎﻘﻤﻋ ثرـﻛأ روﺪﻟا اﺬـﻫ وﺪـﺒﻳو ﻲـﻣﻮﻜﺤﻟا ﻢـﻋﺪﻟا ةدﺎـﻳﺰﻟ ًاﺮـﺧﺆﻣ ﺔـﻟوﺪﻟا ﻪـﺟﻮﺗ ﻊـﻣ ًﺔـﺻﺎﺧ ًﺔﻋﻮﻨﺘﻣ ًﻻﺎﻜـﺷأ ينﻧﺎﻨﻔﻠﻟ م ّﺪﻘﳌا ﻢـﻋﺪﻟا ﺬﺧﺄﻳو .عﺎـﻄﻘﻠﻟ ﻲﻤـﺳﺮﻟا ضﺮﻌﻣ ﻦـﻤﺿ ﻞﻤﻋ ﲆـﻋ لﻮـﺼﺤﻟا ﰲ ﻢﻬﺗﺪﻋﺎـﺴﻣ ﱃإ ﻞـﺼﺗ ﺪـﻗ .ةﺪﻳﺪﺠﻟا ﺔـﻴﻤﻗﺮﻟا تﺎﺼﻨﳌاو تاودﻷا لﻼـﺧ ﻦـﻣ وأ ﻮﻳدﻮﺘـﺳا وأ زﺮﺑأ ﺪﺣأ ﻮـﻫ ﺔﻴﻨﻔﻟا لماﻋﻷا ءﺎـﻨﺘﻗا نأ ﱃإ ﰲيرـﺻ ةﺰـﻤﺣ يرـﺸﻳو يﺬـﻟا ﻢـﻋﺪﻟا ﺔـﻴﻤﻫأ ﱃإ ًﺎـﻀﻳأ رﺎـﺷأو ،ﴍﺎـﺒﳌا ﻢـﻋﺪﻟا لﺎﻜـﺷأ .ﺔﻴﻠﺤﳌا ينـﻧﺎﻨﻔﻟا تاردﺎـﺒﻣ ﺢـﻟﺎﺼﻟ لماـﻋﻷا ﻮـﻌﻣﺎﺟ ﻪـﻣﺪﻘﻳ ﺪﻴﻌﺼﻟا ﲆﻋ ﺔـﻋﻮﻨﺘﻣ ضاﺮﻏﻷ ﺔـﻴﻨﻔﻟا تﺎﻴﻨﺘﻘﳌا ﻒـﻴﻇﻮﺗ ﻢـﺘﻳ ﺔّﻠﻘﺘـﺴﳌا ﺔـﻴﻨﻔﻟا ﺔـﻤّﻴﻘﻟا ،ﻎـﻳﺎﺼﻟا ةيرـﻨﻣ ﺪـﻛﺆﺗ ماـﻛ . ّﲇـﺤﳌا ًارود ﺔـﻴﻨﻔﻟا لماـﻋﻷا ﻮـﻌﻣﺎﺟ ﺐـﻌﻠﻳ” :ﻲـﺒﻇﻮﺑأ ﰲ ﺔـﻤﻴﻘﳌا ﻦـﻋ نو ّﱪـﻌﻳ ﺎـﻣﺪﻨﻋ ًﺔـﺻﺎﺧ ،مدﺎـﻘﻟا ﻞـﻴﺠﻟا ﻒـﻴﻘﺜﺗ ﰲ ًﺎﻴـﺳﺎﺳأ ﺲﻜﻌﺗ ةﺰﻴﻤﳌا لماـﻋﻷﺎﻓ .ﻢﻬﺗﺎﻴﻨﺘﻘﻣ هﺎـﺠﺗ ﺔﻘﺛاو ﺔـﻴﻗﻼﺧأ ةﺮـﻈﻧ .“ﻞﺒﻘﺘـﺴﳌاو ﴐﺎـﺤﻠﻟ ًﺔﻴﻣﺎـﺳ ًﺎـﻓاﺪﻫأ ﻞـﻤﺤﺗو ﻊـﻤﺘﺠﳌا ،ﻊﻄﻘﻟا ءﺎـﻨﺘﻗا ﰲ ﺔـﻋﻮﻨﺘﻣ ﺐﻴﻟﺎـﺳأ لماـﻋﻷا ﻮـﻌﻣﺎﺟ ﺞـﻬﺘﻨﻳو ضرﺎـﻌﻣ وأ ينـﻨﻴﻌﻣ ينـﻧﺎﻨﻓ ﻢـﻋد ﲆـﻋ ﺰـﻴﻛﱰﻟا لﻼـﺧ ﻦـﻣ ءاﻮـﺳ ﲆـﻋ ﻢـﻫيرﺛﺄﺗ ﺮـﻬﻈﻳ ﻻ ماـﻨﻴﺑ .ﺪـﻫﺎﻌﻣ وأ تماـﻈﻨﻣ وأ ةدﺪـﺤﻣ ءاﱪﺧ ﻦـﻣ ﺔﻌـﺳاﻮﻟا ﺔﻘﻠﺤﻟا لﻼـﺧ ﻦـﻣ ّﻻإ ﴏﺎـﻌﳌا ﻦـﻔﻟا ﺦـﻳرﺎﺗ .ءﺎﻀﻋﻷا ﻦـﻣ ﺪـﻳﺰﳌ ةﺮﻏﺎـﺷ ﻦـﻛﺎﻣأ ﺎـﻬﻴﻓ ﻰـﻘﺒﻳ ﻲـﺘﻟاو ،ﻦـﻔﻟا ءﺎـﺤﻧأ ﻊـﻴﻤﺟ ﰲ ﻊـﻤﺘﺠﳌا” نأ ﻎـﻳﺎﺼﻟا ةيرـﻨﻣ ىﺮـﺗ ،ﺎـﻫروﺪﺑو ﺔﺻﺎﺨﻟا ﺔﻴﻨﻔﻟا لماـﻋﻷا ينﺑ ًﺎـﻋاﴏ ﺶﻴﻌﻳ بيﺮﻌﻟا ﺞـﻴﻠﺨﻟا ﺔـﻘﻄﻨﻣ لﺪﺟ ﺄـﺸﻧ ﺚﻴﺣ ،ﻊﺟاﱰﻟا ﰲ تأﺪﺑ ﺔﻠﻜـﺸﳌا هﺬﻫ ﻦـﻜﻟو ،ﺔـﻣﺎﻌﻟاو ﲆﻋ ﺰﻴﻛﱰﻟا ﻦـﻜﻟو .ﺔـﻴﺻﻮﺼﺨﻟا ﺔﻟﺄـﺴبم ﻖّﻠﻌﺘﻳ لﺎـﻴﺟﻷا ينـﺑ ﺮـﺧآ ﺔـﻣﻮﻈﻨﳌا ﺮـﻳﻮﻄﺗو ﻢـﻋد ﰲ ﺪﻋﺎـﺴﻴﺳ لماـﻋﻷا ﻲـﻨﺘﻘﻣ ﻊـﻤﺘﺠﻣ تﺎﻋدﻮﺘـﺴﻣ ﻞﺧاد لماﻋﻷا ﻚـﻠﺗ نﻮـﻌﻤﺠﻳ ﻻ ﻢـﻫرﺎﺒﺘﻋﺎﺑ ،ﺔـﻴّﻨﻔﻟا .“ﻢﻬﻟ حﻮـﺘﻔﻣ ﻊﻤﺘﺠﻣ ءﺎـﺸﻧإ ﻲـﻐﺒﻨﻳ ﻚـﻟﺬﻟ ،ةدﺪـﺤﻣ ﺾﻳﻮﻔﺗ لﺎﺠﻣ ﰲ ﺔﻠﺋﺎﻫ تارﻮﻄﺗ يدﻮﻌـﺴﻟا ﻦﻔﻟا عﺎﻄﻗ ﺪﻬـﺷ لاﺰـﻳ ﺎـﻣو .ﺔـﻴﺿﺎﳌا ﺔـﻠﻴﻠﻘﻟا ماﻮـﻋﻷا ىﺪـﻣ ﲆـﻋ ﺔـﻴﻨﻔﻟا لماـﻋﻷا ﺔـﻴﻨﻔﻟا لماـﻋﻷا رﺎـﻴﺘﺧﻻ ﺔﻠﻣﺎـﺷ ﺔـﺳﺎﻴﺳ ءﺎـﻨﺒﻟ ًﺎـﻳرﺎﺟ ﻞـﻤﻌﻟا لماـﻋﻷا ءﺎـﻨﺘﻗا ﺔـﺳﺎﻴﺴﻟ ﺔﻛﱰـﺸﳌا ﺔﻴﻟوﺆـﺴﳌا ﺮـﻃأ ﺪـﻳﺪﺤﺗو ﺎـﻣ ،ﺎـﻫروﺪﺑو .ﺪـﻳﺪﺠﻟا ﻊـﻗاﻮﻟا ﻞـﻇ ﰲ لماـﻋﻷا ﻲـﻌﻣﺎﺟ راودأو رﺎـﻈﺘﻧﺎﺑ ﺔﻴﺗﺎـﺴﺳﺆﳌاو ﺔـﻣﺎﻌﻟاو ﺔـﺻﺎﺨﻟا ﺔـﻴﻨﻔﻟا تﺎـﻴﻨﺘﻘﳌا لاﺰـﺗ ،ﻦﻳﺮﺛﺆﳌا ﺎﻫداﺮﻓأ ﻖـﺗﺎﻋ ﲆﻋ ةﺎﻘﻠﳌا مﺎﻬﻤﻠﻟ ﺎﻬﺗﺎـﺴﺳﺆﻣ ﺔﺑﺎﺠﺘـﺳا .ﺔـﻴﻓﺎﻘﺜﻟا ﺔـﻓﺮﻌﻤﻠﻟ ينـﻌﻣﺎﺟو ﻦـﻳﴍﺎﻧو ينـﻤّﻴﻘﻛ ﻊـﻣ يدﻮﻌـﺴﻟا ﻦـﻔﻠﻟ عرﺎـﺴﺘﳌا ﰲﺎـﻘﺜﻟا ﺪﻬـﺸﳌا ﻦـﻣاﺰﺘﻳو ءﻰﻃﺎﺷ .نﺎﺑﺪﻳد يﴪﻳ ﻦﳝأ :ﲆﻋﻷا ﻦﻣ ﲆﻋ ﺔﺑﱰﻟاو نﻮﻜﻴﻠﻴﺴﻟا ﻦﻣ .2016 ،ﺐﳊا ؛ﰟ 113x83 ،سﺎﻘﲟ ﺔّﻴﻜﻴﺳﻼﻛ تﺎﻘﺼﻠﻣ ﻦﻣ What a Body, You Lion .رﺪﻴﺣ ﺔﻳآ ﻦﻄﻗ ﲆﻋ ﺰﻳﺮﻄﺗ .2019 ،ﺶﻴﺘﻟﻮﺗ ﺔﻠﺴﻠﺳ لﺎﻤﻋﻷ ﱯﻴﻛﺮﺗ ﺮﻈﻨﻣ ؛ﰟ 54x54 سﺎﻘﲟ .ﴫﻴﻨﻣ ﺪﻤﺤﻣ From top: Ayman Yossri Daydban. Shatii Al Hob. 2016. Silicon, soil on vintage posters. 113x83cm; Aya Haidar. What a Body, You Lion from Tolteesh series. 2019. Embroidery on cotton. 54x54cm; An installation view of works by Mohamed Monaiseer HBSA_002_188to193_MiskArtCollectors_11719281.indd 19004/07/2021 04:09:03 PM191 Harper’s Bazaar Saudi Summer 2021 exhibitions and events to encourage a whole new generation of art lovers. The rising demand for creativity is creating a virtuous circle set to support the development of national art. While contemporary artists have more opportunities in creating sustainable practices, there has always been a collecting class in the Kingdom. Most buyers are driven by a love for art or a belief in the artist, as well as by a will to own a piece of the artwork in their own home. Collectors are shaping today’s art scene with their connections to other enthusiasts, gallerists and artists, infl uencing the art market in a way similar to curators, critics and museum directors. This role is even more profound in the Saudi context, where large-scale government support is relatively fresh. “Support for artists can come in a variety of forms – the top-tier level of support is acquiring the work either from the gallery or artist studio or now, through new digital means and platforms,” says Hamza, noting that collectors’ support in fi nancial residency programs and local artist-led initiatives is crucial. “Acquisition is one of the most important and obvious forms of support.” Locally, art collections are used for many purposes. “Collectors educate the next generation, especially when they are intentional and ethical in approaching their collections,” says Abu Dhabi-based independent curator, Munira Al Sayegh. “Robust collections end up refl ecting society, serving a purpose both now and in the future.” Buyers have a variety of collecting practices; focusing on certain artists, galleries, organisations and institutions to support. Their full impact on contemporary art history, however, is truly appreciated when viewing their role through the lens of a wider network of art professionals – making way for more tastemakers. “Private and public is something we grapple with across the Gulf, but that is going to be less and less of a problem,” says Munira. “There is an intergenerational issue around privacy but focusing on a community of collectors will help in supporting and maturing the ecosystem; people don’t collect in silos so it’s really important to cultivate a community for collectors that is open.” The Saudi art community has seen an enormous shift in both mission and mandate over the last “F O L L O W Y O U R H E A R T A N D W H A T Y O U L O V E . T H E M O S T I M P O R T A N T T I P I S N O T T O F E A R ” H a m za S er a f i The ART ﺔﻘﺛ ﻖﺛو ،ﻚﺳﺎﺴﺣإو ﻚﺒﻠﻗ ﻊﺒﺗا” ًاﺪﻴﻌﺑ ﺔﻴﻨﻔﻟا ﻚﺘﻓﺎﻘﺜﺑ ﺔﻘﻠﻄﻣ أﺪﺒﺗ نأ ﻦﻜﻤﻳ ،ﻖﻠﻘﻟاو فﻮﺨﻟا ﻦﻋ ﻚﻳﺪﻟ كﺮﺤﻳ ﻞﻤﻋ ءاﺮﺸﺑ “ﺔﻨﻴﻌﻣ ﺮﻋﺎﺸﻣ ﻲﻓﺮﻴﺻ ةﺰﻤﺣ Right, from top: Mohamed Monaiseer. 4 from Fitna series (Part 1). 2018. Acrylic paint and hand embroidery on canvas cloth. 25x10cm; Saddek Wasil. I can’t Find a Better Place Than This. 2014. Metal sculpture; Ahmed Mater. Mecca Windows 05. 2013-ongoing. Wooden windows with glass panes ،لوﻷا ءﺰﳉا “ﺔﻨﺘﻓ” ﺔﻠﺴﻠﺳ :ﲆﻋﻷا ﻦﻣ ﲆﻋ يوﺪﻳ ﺰﻳﺮﻄﺗو ﻚﻴﻠﻳﺮﻛأ ءﻼﻃ 2018 ﺪﺟأ ﻦﻟ ؛ﰟ 25x10 .سﺎﻔﻧﺎﻛ شﺎﻤﻗ اﺬﻫ ﻦﻣ ﻞﻀﻓأ ﺎﻧﺎﻜﻣ .ﱐﺪﻌﳌا ﺖﺤﻨﻟا . 2014 .ﺔﻴﻧﺪﻌﻣ ﺔﻌﻄﻗ ﻦﻣ ﻚﻴﺑﺎﺒﺷ ،ﺮﻃﺎﻣ ﺪﻤﺣﻷ ﲏﻓ ﻞﻤﻋ ﺔﻴﺟﺎﺟز حاﻮﻟﺄﺑ ﺔﻴﺒﺸﺧ ﺬﻓاﻮﻧ 2013 ،ﺔﻜﻣ HBSA_002_188to193_MiskArtCollectors_11719281.indd 19105/07/2021 08:56:21 AM192 Harper’s Bazaar Saudi Summer 2021 ﻞّﻜـﺸﻳ ،ﱄﺎـﺤﻟا ﺖـﻗﻮﻟا ﻲـﻔﻓ .ةﺪـﻳﺪﺟ تﺎـﺳﺎﻴﺳو يرـﻳﺎﻌﻣ ﻊـﺿو تﺎﻳﻮﺘـﺴﳌا دﺪـﻌﺘﻣ ًﺎـﻴﻜﻴﻣﺎﻨﻳد ًﺎـﻌﻗاو ﺔـﻴﻨﻔﻟا لماـﻋﻷا ءﺎـﻨﺘﻗا ﺔﺻﺎﺨﻟا ﺔﻴﻨﻔﻟا تﺎـﻋﻮﻤﺠﳌا ﻦـﻣ ﺪﻳاﺰﺘﻣ ﻞﻜـﺸﺑ نّﻮـﻜﺘﻳو ،ﻊـﻗاﻮﳌاو ﻞـﺒﻗ ﻦـﻣ ةﺎـﻨﺘﻘﳌا ﺔـﻴﻨﻔﻟا لماـﻋﻷا ﺖـﺑﺎﻏ ﺎـﳌﺎﻄﻟو .ﺔﻴﺗﺎـﺴﺳﺆﳌاو ﺪﻬـﺸﳌا ﻦﻋ ﺔـﻴﻣﻮﻜﺤﻟا تﺎـﺌﻴﻬﻟاو تﺎﻛﴩـﻟاو كﻮـﻨﺒﻟﺎﻛ تﺎـﺴﺳﺆﳌا تاءﺎﻨﺜﺘـﺳﻻا ﺾـﻌﺑ ﻦـﻋ ﺮـﻈﻨﻟا ﺾـﻐﺑ ،ﺔـﻜﻠﻤﻤﻠﻟ مﺎـﻌﻟا ﻲـﻨﻔﻟا .ﺔـﻇﻮﺤﻠﳌا ﰲ لماـﻋﻷا ءﺎـﻨﺘﻗا نﺎـﺠﻟ ﺔﻳدﻮﻌـﺴﻟا ﺔـﻓﺎﻘﺜﻟا ةرازو ﺖـﻬّﺟو لماـﻋأ رﺎـﻴﺘﺧا ﱃإ ،ﴈﺎـﳌا ﻞـﻳﺮﺑأ ﺮﻬـﺷ ﰲ ،ﺔـﻴﻣﻮﻜﺤﻟا تﺎـﻬﺠﻟا ﺔﻠﻣﺎـﺸﻟا ﺔـﻴﻨﻃﻮﻟا ﺔﻴﺠﻴﺗاﱰـﺳﻻا ﻦـﻣ ءﺰـﺠﻛ ،ينﻳدﻮﻌـﺴﻟا ينـﻧﺎﻨﻔﻟا ﺔﻓﺎﻛ ةﻮﻄﺨﻟا هﺬـﻫ ﻦﻋ ﻖـﺜﺒﻨﺗ نأ رﺮﻘﳌا ﻦـﻣو .ﻲـﻣﻮﻜﺤﻟا ﻢـﻋﺪﻠﻟ ﺔـﻴﻨﻔﻟا لماـﻋﻷا ءاﴍ تﺎـﻴﻠﻤﻋ ﲆـﻋ فﴩﺘـﺳ ﻲـﺘﻟا تاءاﺮـﺟﻹا ينـﻧﺎﻨﻓ تﺎـﻋاﺪﺑإ ﲆـﻋ لﻮـﺼﺤﻟا ﰲ ﺔـﺒﻏاﺮﻟا تﺎﻛﴩـﻟاو ﻒـﺣﺎﺘﻤﻠﻟ تﺎﻬﻴﺟﻮﺗ ﲆـﻋ ًءﺎـﻨﺑ اﺬـﻫ ﻞـﻤﻌﻟا رﺎـﻃإ ءﺎـﺟ .ينﻳدﻮﻌـﺳ ينـﻴﻓﺮﺣو ،ﺰﻳﺰﻌﻟا ﺪـﺒﻋ ﻦﺑ نماﻠـﺳ ﻦﺑ ﺪـﻤﺤﻣ يرـﻣﻷا كيـﻠﳌا ﻮﻤـﺴﻟا ﺐـﺣﺎﺻ فﺪﻬﺗ ﻲﺘﻟاو ،عﺎﻓﺪﻟا ﺮـﻳزو ءارزﻮﻟا ﺲﻠﺠﻣ ﺲﻴﺋر ﺐـﺋﺎﻧ ﺪـﻬﻌﻟا ﱄو ﰲيرﺻ ةﺰـﻤﺣ ىﺮﻳو .ﺔـﻜﻠﻤﳌا نيﺎﻨﻔﻟ ﻦـﻜﻤﻣ ﻢـﻋد ﱪـﻛأ ﻢـﻳﺪﻘﺗ ﱃإ لماﻋﻷا ﻲـﻌﻣﺎﺠﻟ ﱄﺎـﺜﻣ ﻞﻜـﺸﺑ ﻖـﻳﺮﻄﻟا ﺪـﻬيم” ﻢـﻋﺪﻟا اﺬـﻫ نﺄـﺑ لﻮﺣ ﻲﻣﻮﻜﺤﻟاو صﺎـﺨﻟا ينـﻋﺎﻄﻘﻠﻟ ةﺰﻴﻤﻣ ﺢـﺋﺎﺼﻧ ﺢـﻴﺘﻳو ،ﺔـﻴﻨﻔﻟا ئدﺎﺒﳌا ﻦ ّﻤﻀﺘﺗو .ينﻳدﻮﻌـﺴﻟا ينﻧﺎﻨﻔﻟا لماـﻋأ ءﺎﻨﺘﻗﺎﺑ ءﺪـﺒﻟا ﺔـﻴﻔﻴﻛ ﺔـﻴﻨﻔﻟا لماـﻋﻷا ﻊـﻤﺟو ءﺎـﻨﺘﻗﻻاو ءاﴩـﻟا تﺎـﻴﻠﻤﻋ ﺔـﻴﻬﻴﺟﻮﺘﻟا ﻲـﻨﻓ قﻮـﺳ ءﺎـﺸﻧإ ﲆـﻋ ﺰـﻴﻛﱰﻟا ﱃإ ﺔـﻓﺎﺿإ ،ﺔـﻧﺎﻴﺼﻟاو ﻢـﻴﻣﱰﻟاو .ﻦﻳﱰـﺸﳌاو ينـﻧﺎﻨﻔﻟا ينـﺑ تﺎـﻗﻼﻌﻟا ﺰـﻳﺰﻌﺗ ﻪﻧﺄـﺷ ﻦـﻣ ﻲـﻨﻃو ﺔـﻴﻨﻔﻟا لماـﻋﻷا ءاﴩـﻟ ﺔـﻴﻟﺎﺜﻣ ةﱰـﻓ ﺔـﻨﻫاﺮﻟا ﺔـﻠﺣﺮﳌا ﻞﻜـﺸﺗو ﻊـﻴﻤﺟ ﰲ ًﺔـﺻﺎﺧ ،ﺔـﻘﻄﻨﳌﺎﺑ ﺪـﻳاﺰﺘﳌا مماـﺘﻫﻻا ﻞـﻇ ﰲ ،ﺔـﻴﻠﺤﳌا لماﻋﻷا ﻲﻌﻣﺎﺟ رود زﱪـﻳ ماﻛ .ﺔﻳدﻮﻌـﺴﻟا ﺔـﻴﺑﺮﻌﻟا ﺔـﻜﻠﻤﳌا ﴈارأ ةﴏﺎـﻌﳌا ﺔـﻴﻨﻔﻟا تﺎـﻬﺟﻮﺘﻟا نﻷ ،ﺔـﻴﻟﺎﺤﻟا ﺔـﻴﻨﻔﻟا ﺔـﻛﺮﺤﻟا ﻢـﻋد ﰲ ﺖﻨّﻜتم” :ﰲيرـﺻ ﻊـﺑﺎﺘﻳو .ﺔـﻴﺗﺎﻴﺤﻟاو ﺔـﻴﻋماﺘﺟﻻا تايرـﻐﺘﻟا ﺲـﻜﻌﺗ ًارﺎﻜﻓأ ﺎـﻬﺤﻨﻣو ﺔﻴﻋاﺪﺑﻹا تﺎـﻴﻟماﺠﻟا ﺰـﻳﺰﻌﺗ ﻦﻣ ةﴏﺎـﻌﳌا ﺔـﻛﺮﺤﻟا ةﺰـﻴﻤﻣ تﺎـﻈﺤﻟ ﺪﻴـﺴﺠﺗ ﲆـﻋ ﺎـﻬﻤﻴﻗ ﴫـﺘﻘﺗ ﻻ ﺚـﻴﺣ ،ًةﺪـﻳﺪﺟ .“ﰲﺎﻘﺜﻟا يرـﻜﻔﺘﻟا ﻦﻣ ﺔـﺘﻔﻠﻣ تﺎﻳﻮﺘـﺴﻣ ًﺎﻀﻳأ ﻞـﻤﺤﺗ ﻞـﺑ ،ﺐـﺴﺤﻓ ﺔﻠﻣﺎـﺷو ﺔـﺻﺎﺧ ﺔـﻋﻮﻤﺠﻣ يﻷ ﻦـﻜيم ،ضﺮـﻌﻟا صﺮـﻓ ﻮـنم ﻊـﻣو تﺎـﺴﺳﺆﳌاو ﻒـﺣﺎﺘﳌا مماـﺘﻫا لﺎـﻨﺗ نأ ﺔـﻴﻨﻔﻟا لماـﻋﻷا ﻦـﻣ ﲆﻋ لﻮﺼﺤﻠﻟ تارﻻوﺪـﻟا ينـﻳﻼﻣ ﺔﻴﳌﺎﻌﻟا ﻒـﺣﺎﺘﳌا ﻖـﻔﻨﺗ .ىﱪـﻜﻟا ﺔـﻋﻮﻤﺠﳌ ﻦـﻜيم ذإ ،ﺔـﻴﻨﻔﻟا لماـﻋﻷا ﻦـﻣ ﺔﻴﺋﺎﻨﺜﺘـﺳا تﺎـﻋﻮﻤﺠﻣ ﰲ ًﺔـﺻﺎﺧ ،ﻦـﻔﻟا لمﺎـﻌﻟ ﺔـﻠﺋﺎﻫ تماﻫﺎـﺴﻣ مﺪـﻘﺗ نأ ﺔـﻠﻣﺎﻛ ﺔـﻴﻨﻓ .ﺦﻳرﺎﺘﻟا ىﺪـﻣ ﲆﻋ ﻲﻨﻔﻟا ﺎﻬﻋﺎﻄﻗ لاﺰـﻌﻧا ﻦﻣ نيﺎـﻌﺗ ﻲـﺘﻟا ﺔـﻜﻠﻤﳌا عﺎـﻄﻗ ﻦـﻣ ىﺮـﺧأ ﺐـﻧاﻮﺟ ﲆـﻋ ﻞـﻤﻌﻟا ﺔـﻴﻤﻫﺄﺑ ﻎـﻳﺎﺼﻟا ﴆﻮـﺗو ًماـﻬﻓ ﺔـﻴﻨﻔﻟا لماـﻋﻷا تﺎـﻋﻮﻤﺠﻣ م ّﺪـﻘﺗ نأ ﻦـﻜيم ﻚـﻟﺬﺒﻓ ،ﻦـﻔﻟا .ﺎـﻫﺮﻳﻮﺼﺗ ﻢـﺘﻳ ﻲـﺘﻟا ﺔـﻈﺤﻠﻟ ﺔﻴﻟﻮﻤـﺷ ثرـﻛأو ﻖـﻤﻋأ ﻊـﻤﺠﻟ ﺔﻴـﺳﺎﺳأ ةﺪـﻋﺎﻗ دﻮـﺟﻮﺑ ﰲيرـﺻ ﺪـﻘﺘﻌﻳ ،ﻪـﺘﻬﺟ ﻦـﻣو ﻊـﻤﺟ لﺎـﺠﻣ ﲆـﻋ دﺪـﺠﻟا ﻦـﻳﺪﻓاﻮﻠﻟ ﺔﺒـﺴﻨﻟﺎﺑ ماﻴـﺳ ﻻ ،لماـﻋﻷا ﺔـﻘﻠﻄﻣ ﺔـﻘﺛ ﻖـﺛو ،ﻚـﺳﺎﺴﺣإو ﻚـﺒﻠﻗ ﻊـﺒﺗا” :لﻮـﻘﻳو ،نﻮـﻨﻔﻟا ءاﴩﺑ أﺪـﺒﺗ نأ ﻦﻜيم .ﻖـﻠﻘﻟاو فﻮﺨﻟا ﻦـﻋ ًاﺪـﻴﻌﺑ ﺔـﻴﻨﻔﻟا ﻚـﺘﻓﺎﻘﺜﺑ ﻻ ﺪﻳﺪﺠﻟا ﻲـﻨﺘﻘﳌا نﻮـﻜﻳ ﺪﻗو ،ﺔﻨﻴﻌﻣ ﺮﻋﺎـﺸﻣ ﻚـﻳﺪﻟ كّﺮـﺤﻳ ﻞـﻤﻋ .“ﻲﻔﻜﻳ اﺬـﻫو ،ﻢـﻠﻌﺘﻳ نأ لوﺎـﺤﻳ ﻪﻨﻜﻟو ﻦـﻔﻟا ﻦـﻋ يرـﺜﻜﻟا فﺮـﻌﻳ طﺎـﺳوأ ﰲ ﺔـﺑﻮﻏﺮﻣ ﺖـﺤﺒﺻأو ،ًﺎـﺘﻓﻻ ًﺎـﺟاور نﻮـﻨﻔﻟا ﺪﻬـﺸﺗ ﱃإ ﺔـﻓﺎﺿﻹﺎﺑ ،نﻮـﻨﻔﻟا ﻲـﻌﻣﺎﺟ ﻚـﻟذ ﰲ ﺎـبم ،يدﻮﻌـﺴﻟا ﻊـﻤﺘﺠﳌا ينـﻧﺎﻨﻓ ﻒـﻴﻠﻜﺗ ﱃإ عرﺎـﺴﺗ ﻲـﺘﻟا تﺎﻛﴩـﻟاو ﺔـﻴﻣﻮﻜﺤﻟا تﺎـﻬﺠﻟا ﱄﺎﺤﻟا ﺖﻗﻮﻟا ﰲ ﺔـﻜﻠﻤﳌا ّﺪـﻌُﺗ ﻚﻟﺬﻟ .ﺎﻬﻟ لماـﻋأ جﺎـﺘﻧﺈﺑ ينﻳدﻮﻌـﺳ .ءاﻮـﺳ ّﺪـﺣ ﲆـﻋ لماـﻋﻷا ﻲـﻌﻣﺎﺟو ينـﻧﺎﻨﻔﻠﻟ ﱄﺎـﺜﳌا ذﻼـﳌا ،نﺎﺑﺪﻳد يﴪﻳ ﻦﳝأ لﺎﻤﻋأ ﻦﻣ لﺎﺧ ﻦﻄﻗ قرو .2014 ﺲﺘﻴﻠﻜﻴﺸﺗ ضﺎﻤﺣﻷا ﻦﻣ ﰟ 77x56 سﺎﻘﲟ Ayman Yossri Daydban. Chiclets. 2011. 100 per cent cotton, acid-free paper. 77x56cm نﺎﺑﺪﻳد يﴪﻳ ﻦﳝأ 2014 ،ﺾﻴﺑﻷا رﻮﺜﻟا ﺔﻴﺒﺸﺧ ﻞﻳدﺎﻨﻣ ﺔﺒﻠﻋ 25 182.5x68x8cm Ayman Yossri Daydban. White Buffalo. 2014. 25 Tissue boxes. 182.5x68x8cm ALL IMAGES COUR TESY OF A THR GALLER Y AND RESPECTIVE AR TISTS HBSA_002_188to193_MiskArtCollectors_11719281.indd 19204/07/2021 04:09:34 PM193 Harper’s Bazaar Saudi Summer 2021 couple of years. Relevance of collection, shared responsibility of acquisition policy, and the role of collectors in this new reality are still being built. Private, public, as well as corporate collections are still considering the ways their institutions respond to their roles as curators, cultivators and collectors of cultural knowledge. The burgeoning cultural scene of Saudi comes with setting up benchmarks. Today, acquisition is a dynamic multilevel and multipositional reality that is increasingly made up of both private and corporate art collections. Historically, artwork bought by organisations such as banks, companies, governmental and semi-governmental bodies, has been missing from the overall art scene in Saudi, with a notable very few exceptions. As part of the overall national strategy of government support, the Ministry of Culture recently published guidelines around acquisition committees and strategies, which will trickle down to museums and businesses looking to acquire work by Saudi artists and artisans. The framework was based on directives from Crown Prince Mohammed bin Salman and provided the largest support for the nation’s artists. “They’ve provided impeccable roadmaps for collectors advising how the private sector and government sector should start collecting and acquiring works from Saudi artists,” explains Hamza. These guidelines cover the process of procurement, acquisition, art collection, restoration and maintenance, shedding light on the creation of a national art market that can foster relationships between the artist and the buyer. It’s a pivotal time to be buying works from the country, with the growing interest in the region. The zeitgeist contemporary art movement refl ects the social change – collectors are necessary to support the current movement. “With the contemporary movement, we not only have the aesthetic, but we also added the idea – an art collection is not only about beautiful moments but also has a level of cultural thinking,” adds Hamza. As opportunities grow to display, a holistic private art collection might be of interest to museums and major institutions. Across the world, museums have paid multimillion-dollar prices for exceptional collections of work. “A comprehensive and in-depth art collection can make a tremendous contribution to the art world in general, especially in Saudi Arabia with its historically isolated art sector,” says Munira. “Working in tandem with other aspects of the art sector, collections can give a more holistic understanding of a moment.” There is a key rule when it comes to collecting, especially for those just starting out. As Hamza says, “Follow your heart and follow what you love. The most important tip is not to fear – not to feel that you don’t know art, that you don’t understand art. Start by buying something you connect to and recognising that a simple answer such as ‘I don’t know much about art but now I am trying to learn and understand’, is enough.” Art is trendy, suddenly desired by everyone, including private collectors, the government and corporations, many of which are excitedly rushing to commission Saudi artists. So yes, there is no better place to be an artist – or a collector – right now, than in Saudi Arabia. The ART ﺎﻛﻮﻛ ،نﺎﺑﺪﻳد يﴪﻳ ﻦﳝأ لﺎﻤﻋأ ﻦﻣ ٍلﺎﺧ قرو ﻊﻣ ﻦﻄﻘﻟا ﻦﻣ .2011 ﻻﻮﻛ ﰟ 77x56 سﺎﻘﲟ ،ضﺎﻤﺣﻷا ﻦﻣ Ayman Yossri Daydban. Coca Cola. 2011. 100 per cent cotton, acid-free paper. 77x56cm ﰊأ” ﺔﻠﺴﻠﺳ ﻦﻣ ،نﺎﺑﺪﻳد يﴪﻳ ﻦﳝأ نﻮﻜﻴﻠﻴﺴﻟا ﻦﻣ .2015 “ةﺮﺠﺸﻟا قﻮﻓ ﺔّﻴﻜﻴﺳﻼﻛ تﺎﻘﺼﻠﻣ ﲆﻋ ﺔﺑﱰﻟاو ﰟ 113x83 سﺎﻘﲟ Ayman Yossri Daydban. Single from the My Father Over The Tree series. 2015. Silicon, soil on vintage posters. 113x83cm HBSA_002_188to193_MiskArtCollectors_11719281.indd 19304/07/2021 04:09:51 PMThree Saudi photographers with a discerning eye for beauty show us the world through their eyes ﺚﺤﺒﻟا ﺔﻤﺋاد تاﺮﻈﻨﺑ ﻦﻴﻳدﻮﻌﺳ ﻦﻳرﻮﺼﻣ ﺔﺛﻠﺎﺛ ﻢﻟﺎﻌﻟا ﺎﻨﻟ نوﺮﻬﻈﻳ لﺎﻤﺠﻟا ﻦﻋ ﻪﻧوﺮﻳ ﺎﻤﻛ تﺎﻈﺤﻟ ﺔّﻳﺪﺑأ FREEZING TIME Left: Riyadh Boulevard during Riyadh Season (2019) by Ameen Qaisaran ﰲ درﺎﭭﻴﻟﻮﺑ ﺔﻘﻄﻨﻣ :رﺎﺴﻴﻟا ﱃإ ضﺎﻳﺮﻟا ﰟﻮﻣ لﻼﺧ ،ضﺎﻳﺮﻟا ناﴫﻴﻗ ﲔﻣأ ﺮﻳﻮﺼﺗ ،2019 by AYESHA S. SHEHMIR HBSA_002_194to207_ArabianSights_11720514.indd 19404/07/2021 04:14:49 PM The CULTURE HBSA_002_194to207_ArabianSights_11720514.indd 19504/07/2021 04:15:02 PM196 Harper’s Bazaar Saudi Summer 2021 What was a career-defi ning moment for you? There hasn’t been one career-defi ning moment, rather, gradual moments. Several moments of shifts and turns in my career. Photography itself sort of perfected my knowledge of humanity basically. In your view, how strong is the storytelling power of photography? Photography is very strong. I consider it more than storytelling. It can deal with the better meaning of things – smaller things and the psychological aspect. In fact, photography can be misleading or manipulative. If you want to give a certain meaning but you let the environment around you express that, then you can go into a deeper meaning and this is the closest thing to poetry, which also plays on emotion. ؟ﻲﻨﻬﳌا كرﺎﺴﻣ تدﺪﺣ ﻲﺘﻟا ﺔﻈﺤﻠﻟا ﻲﻫ ﺎﻣ تﻻﻮـﺤﺘﻟا ﻦـﻣ ﺔـﺒﻗﺎﻌﺘﻣ تﺎـﻈﺤﻟ ﺔﻠـﺴﻠﺳ ﺖـﻧﺎﻛ ﻞـﺑ ،ﺎـﻬﻨﻴﻌﺑ ﺔـﻈﺤﻟ دﺪـﺣأ نأ ﻦـﻜيم ﻻ ﻲـﻤﻬﻓ ﻖـﻴﻤﻌﺗ ﲆـﻋ ﻪـﺗاذ ﺪـﺤﺑ ﰲاﺮـﻏﻮﺗﻮﻔﻟا ﺮـﻳﻮﺼﺘﻟا ﺪﻋﺎـﺳ ﺪـﻘﻓ ،ﺔـﻴﻨﻬﳌا تﺎـﺒﻠﻘﺘﻟاو .ﺔﻴﻧﺎـﺴﻧﻹا ﺔـﻌﻴﺒﻄﻟﺎﺑ ﻲـﺘﻓﺮﻌﻣو ؟ﻚﻳأﺮﺑ ﺔﻴﻓاﺮﻏﻮﺗﻮﻔﻟا رﻮﺼﻟا ﺎﻬﻳوﺮﺗ ﻲﺘﻟا ﺺﺼﻘﻟا يرﺛﺄﺗ ىﺪﻣ ﺎﻣ دﴪﻟ ةادأ ﻪـﻧﻮﻛ ىﺪـﻌﺘﻳ ﺚـﻴﺣ ،ﻦـﻳيرﺒﻛ ًايرـﺛﺄﺗو ًةﻮـﻗ ﰲاﺮـﻏﻮﺗﻮﻔﻟا ﺮـﻳﻮﺼﺘﻟا ﻦـﻓ ﻞـﻤﺤﻳ ةيرـﻐﺼﻟا ﻰـﺘﺣ ،ﺔﻴـﺴﻔﻨﻟا ﺎـﻬﺒﻧاﻮﺟو ﺔـﻴﻔﺨﻟا نيﺎـﻌﳌا لوﺎـﻨﺘﻳ ﻮـﻬﻓ .ﺔـﻔﻠﺘﺨﳌا ﺺـﺼﻘﻟا ينﺣ .ًﺎـﻧﺎﻴﺣأ ﻢـﻬﻔﻟا ﺐـﻌﺻ ﰲاﺮـﻏﻮﺗﻮﻔﻟا ﺮـﻳﻮﺼﺘﻟا ﺮـﻫﻮﺟ نﻮـﻜﻳ ﻚـﻟﺬﻟ .ﺎـﻬﻨﻣ ﺔـﻘﻴﻗﺪﻟاو ثرﻛأ ﻰﻨﻌﻣ ةرﻮـﺼﻟا ﻞـﻘﻨﺗ ﺪﻗ ،ﻚـﻄﻴﺤﻣ ﺮـﻳﻮﺼﺗ لﻼـﺧ ﻦـﻣ ﻰـﻨﻌﻣ يأ ﻦـﻋ يرـﺒﻌﺘﻟا ﺪـﻳﺮﺗ نﻮـﻨﻔﻟا هﺬـﻫ ﻊـﻴﻤﺟ ﱪـﺴﺗ ﺚـﻴﺣ ،ﺔـﻳاوﺮﻟاو ﺮﻌـﺸﻟا ﻊـﻣ ﺮـﻳﻮﺼﺘﻟا ﻪﺑﺎـﺸﺘﻳ ﺎـﻨﻫو .ًﺎـﻘﻤﻋ .ﺎـﻬﺗﺎﻋﻮﺿﻮﳌ ﻲـﻔﻃﺎﻌﻟا ﺐـﻧﺎﺠﻟا راﻮـﻏأ REEM AL FAISAL ﻞﺼﻴﻔﻟا ﻢﻳر دﻮﺳﻟﺄاو ﺾﻴﺑﻟﺄﺎﺑ ﺔﻴﻓاﺮﻏﻮﺗﻮﻔﻟا رﻮﺼﻟا ﻲﻓ ﺎﻬﻋاﺪﺑإ لﻠﺎﺧ ﻦﻣ ﻒﺸﻜﺘﺴﺗ ﺔﻠﻴﻤﺠﻟا نﻮﻨﻔﻟﺎﺑ ﺔﺼﺘﺨﻣو ﺔﻴﻘﺋﺎﺛو ةرﻮﺼﻣ .ةﺎﻴﺤﻟاو ﺔﻌﻴﺒﻄﻟا ﻲﻓ ﻰﻠﺠﺘﻳ يﺬﻟا ﻲﻧﺎﺣوﺮﻟا ﺪﻌﺒﻟا Fine art and documentary photographer Reem Al Faisal explores the spiritual dimension through black and white prints which seek to show signs of divinity in nature and humanity ﺔﻓﺎﻘﺜﻟا The Souss-Massa region in Morocco. Facing page: All photos by Reem Al Faisal ﰲ ﺔﺳﺎﻣ سﻮﺳ ﺔﻬﺟ ﻦﻣ ةرﻮﺻ ﻊﻴﻤﺟ :ﺔﻠﺑﺎﻘﳌا ﺔﺤﻔﺼﻟا .بﺮﻐﳌا ﻞﺼﻴﻔﻟا ﱘر ﺮﻳﻮﺼﺗ ﻦﻣ رﻮﺼﻟا HBSA_002_194to207_ArabianSights_11720514.indd 19604/07/2021 04:15:10 PM197 Harper’s Bazaar Saudi Summer 2021 HBSA_002_194to207_ArabianSights_11720514.indd 19705/07/2021 12:09:50 PM198 Harper’s Bazaar Saudi Summer 2021 What do you think informs the visual beauty of Saudi? The visual beauty of Saudi Arabia can be seen in any place. It’s a country of extremes, in the sense that the land is very harsh. There is no softness in the land of Saudi Arabia. But there is extreme beauty between the deserts, oasis and the mountains, which can be overwhelming. It’s very clear and there is nothing hidden. Who inspires you? My inspiration comes from many things – from poets and philosophers to history and the events in my life, to personalities all over history, including artists and leaders. If time could stand still like a photograph, which moment would you freeze? Oh I would love to be in Prophet Muhammad’s Mosque in Medina (peace be upon him) – that to me is unimaginable. I probably wouldn’t even photograph it, it would be too intense. But there are many moments in history I would like to freeze. ؟ﻚﻳأﺮﺑ ﺔﻳدﻮﻌﺴﻟا ﺔﻴﺑﺮﻌﻟا ﺔﻜﻠﻤﻤﻠﻟ ﺔﻴﻟماﺠﻟا لمﺎﻌﳌا ﻲﻫ ﺎﻣ ﺎﻬﻧأ اذإ ،ﺎـﻬﺋﺎﺤﻧأ ﻊـﻴﻤﺟ ﰲ ةﴩـﺘﻨﳌا ﺔـﻴﻟماﺠﻟا ﺎـﻬﳌﺎﻌبم ﺔﻳدﻮﻌـﺴﻟا ﺰـﻴﻤﺘﺗ ﺢﻣﻼﻣ ﺮﻬﻈﻧ ةﻮـﺴﻘﻟا هﺬﻫ ﻰﺘﺣ ﻦﻜﻟو ،ﺔﻴـﺳﺎﻘﻟا ﺎـﻬﻴﺿارأو ﺎـﻬﺘﺌﻴﺒﺑ فﺮـﻌُﺗ ،ﻒـﻃاﻮﻌﻟا يرـﺜﺗ نﻮـﻜﺗ نأ ﻦـﻜيم لﺎـﺒﺟو تﺎـﺣاوو ىرﺎـﺤﺻ ﻦـﻣ ﺔـﻴﻟماﺟ .ةاراﻮﳌا ﻦـﻋ ﺎﻫﺪﻌﺑو ﺎـﻬﺣﻮﺿوو ﺎـﻬﺋﺎﻘﻨﻟ ؟ ِﻚﻤﻬﻠﻳ رﺪﺼﻣ ﻮﻫ ﺎﻣ ﺦﻳرﺎﺘﻟاو ﺔﻔـﺴﻠﻔﻟاو ﺮﻌـﺸﻟا ينـﺑ عﻮﻨﺘﺗ ردﺎـﺼﻣ ةﺪﻋ ﻦـﻣ ﻲـﻣﺎﻬﻟإ ﺪﻤﺘـﺳأ .ةدﺎﻘﻟاو ينـﻧﺎﻨﻔﻟا ﻞﺜﻣ ،ﺔـﻴﺨﻳرﺎﺘﻟا تﺎﻴﺼﺨـﺸﻟا ﻰـﺘﺣو ﺔـّﻴﻣﻮﻴﻟا ﻒـﻗاﻮﳌاو رﻮـﺼﻟا ﰲ ماـﻛ ﻦـﻣﺰﻟا ﺎـﻬﻴﻓ ﻒـﻗﻮﺘﻳ نأ ِﺖـﻴﻨتم ﺔـﻈﺤﻟ كﺎـﻨﻫ ﻞـﻫ ؟ﺔـﻴﻓاﺮﻏﻮﺗﻮﻔﻟا ﺪﻤﺤﻣ ﻲﺒﻨﻟا ﺎﻬﻴﻟإ ﺮـﺟﺎﻫ ينﺣ ةرﻮﻨﳌا ﺔﻨﻳﺪﳌا ﰲ ًةدﻮـﺟﻮﻣ ﺖـﻨﻛ ﻮـﻟ تددو ﻚﻟذ ﺮﻳﻮﺼﺗ ﲆـﻋ ةردﺎـﻗ نﻮﻛﺄـﺳ ﻲﻨﻧأ ﺪـﻘﺘﻋأ ﻻو .ﻢﻠـﺳو ﻪـﻴﻠﻋ ﻪـﻠﻟا ﲆـﺻ ﻦـﻣ يرـﺜﻜﻟا كﺎـﻨﻫو ،ﺔـﻴﻧﺎﺣور ﺮﻋﺎـﺸﻣو ﻒـﻃاﻮﻋ ﻦـﻣ ﻪـﻠﻤﺤﻳ ﺎـبم نﺎﻜـﳌا .ﺎﻫﺪﻨﻋ ﻦـﻣﺰﻟا فﺎﻘﻳإ نيﺎﻜـﻣﺈﺑ نﺎﻛ ﻮـﻟ دوأ ﻲـﺘﻟا ﺔـﻴﺨﻳرﺎﺘﻟا تﺎـﻈﺤﻠﻟا “My inspiration comes from many things – from poets and philosophers to history and the events in my life” A bridge in China’s Yunnan province. Photo by Reem Al Faisal .ﺔﻴﻨﻴﺼﻟا نﺎﻧﻮﻳ ﺔﻌﻃﺎﻘﻣ ﰲ ﴪﺟ ﻞﺼﻴﻔﻟا ﱘر ﺮﻳﻮﺼﺗ HBSA_002_194to207_ArabianSights_11720514.indd 19804/07/2021 04:15:38 PM199 Harper’s Bazaar Saudi Summer 2021 Seeing your achievements now, what would you say to your younger self? Don’t look back and don’t have regrets. Because whatever hardship I went through made my life richer. To always look forward. If we could truly see the world through your eyes, what would we learn? You would see the world for all its beauty and amazement from all over. I’m more interested in the spiritual side of the world and I can deal with the experience of this side so I would love that you see the impact of spirituality. What dream do you have for your future? I don’t like to imagine the future, but I would like to discover. I see myself as a wanderer, and take things as they come like an adventure. I hope I have the ability to appreciate and learn from it. ةﺪﻋ ﻦﻣ ﻲﻣﺎﻬﻟإ ﺪﻤﺘﺳأ ” ﺮﻌﺸﻟا ﻦﻴﺑ عﻮﻨﺘﺗ ردﺎﺼﻣ ﻒﻗاﻮﻤﻟاو ﺦﻳرﺎﺘﻟاو ﺔﻔﺴﻠﻔﻟاو تﺎﻴﺼﺨﺸﻟا ﻰﺘﺣو ﺔّﻴﻣﻮﻴﻟا “ﺔﻴﺨﻳرﺎﺘﻟا ﰲ ِﻚـﺴﻔﻨﻟ ﺎـﻬﻨﻴﻬﺟﻮﺗ ﻲـﺘﻟا ﺔـﺤﻴﺼﻨﻟا ﻲـﻫ ﺎـﻣ ،ﺔـﻴﻟﺎﺤﻟا ﻚـﺗازﺎﺠﻧإ ﻦـﻳﺮﺗ ﺎـﻣﺪﻨﻋ ؟تﺎـﻳاﺪﺒﻟا ﺖـﻧﺎﻛ ﺎـﻬﺑ ترﺮـﻣ ﻲـﺘﻟا ﺐـﻋﺎﺼﳌا نﻷ ءﳾ ﲆـﻋ مﺪـﻧأ ّﻻأو ﻒـﻠﺨﻟا ﱃإ ﺮـﻈﻧأ ّﻻأ .ًﺎـئماد ﻞﺒﻘﺘـﺴﳌا ﱃإ ﻊـﻠﻄﺗأ نأ ﻲـﻫ ﻲـﺘﺤﻴﺼﻧ نﻮﻜﺘـﺳ .تيﺎـﻴﺣ ءاﺮـﺛإ ﰲ ﺐﺒـﺴﻟا ؟ىنرﺳ اذﺎﻣ ، ِﻚﻴﻨﻴﻋ ﱪﻋ لمﺎﻌﻟا ﺔﻳؤر ﺎﻨﻧﺎﻜﻣﺈﺑ نﺎﻛ ﻮﻟ ﻦﻣ ًﺎئماد ﻰﻌـﺳأو .لمﺎﻌﻟا اﺬـﻫ ﻞﻴﺻﺎﻔﺗ ﻞﻛ ﰲ ﺔـﻋوﺮﻟاو لماـﺠﻟا ﻦـﻤﻜﻳ ﻒـﻴﻛ نوﱰـﺳ نأ ﺖـﻤﻠﻌﺗ يﺬـﻟا ﺐـﻧﺎﺠﻟا ﻮـﻫو ءﺎﻴـﺷﻸﻟ نيﺎـﺣوﺮﻟا ﺐـﻧﺎﺠﻟا ﻖـﻴﺛﻮﺗ ﱃإ ﻲـﻨﻓ لﻼـﺧ ﺔﻴﻤﻫأ ﲆـﻋ ﻊﻴﻤﺠﻟا عﻼـﻃإ ﱃإ ﺎـﻬﻟﻼﺧ ﻦـﻣ فﺪـﻫأ ﻲـﺘﻟا ﻲﺘـﺳﺪﻌﺑ ﺔـﻴﻓﺮﺤﺑ هرﻮـﺻأ .ﺎﻨﺗﺎﻴﺣ ﰲ ﺔـﻴﻧﺎﺣوﺮﻟا ؟ﺔﻴﻠﺒﻘﺘﺴﳌا ﻚﺗﺎﻌﻠﻄﺗ ﻲﻫ ﺎﻣ ﱪـﺘﻋأ ﺚـﻴﺣ ،ﱄ ﻪـﻠﻤﺤﻳ ﺎـﻣ ﺔـﻓﺮﻌﳌ ﻊـﻠﻄﺗأ ﻲـﻨﻨﻜﻟو ﻞﺒﻘﺘـﺴﳌا ﻞـّﻴﺨﺗأ نأ ﺐـﺣأ ﻻ قﻮـﺗأ ةﺮـﻣﺎﻐﻤﻛ ﻲـﻨﻬﺟاﻮﻳ ﺎـﻣ ﻞﻛ ﻊـﻣ ﻞـﻣﺎﻌﺗأو ةﺎـﻴﺤﻟا هﺬـﻫ ﰲ ًةﺮﻓﺎـﺴﻣ ﴘـﻔﻧ .ﺎـﻬﻨﻣ ﻢـﻠﻌﺘﻟاو ﺎـﻬﺿﻮﺨﻟ A lake in Hangzhou, China; A fallen tree found in Japan. Photos by Reem Al Faisal ﰲ ﻮﺸﺘﻐﻧﺎﻫ ﰲ ةﲑﺤﺒﻟ ةرﻮﺼﻟا هﺬﻫ ةﺮﺠﺸﻟ ﻞﻔﺳﻷا ﰲ ةرﻮﺼﻟا ،ﲔﺼﻟا ﻞﺼﻴﻔﻟا ﱘر ﺮﻳﻮﺼﺗ نﺎﺑﺎﻴﻟا ﰲ ﺔﻋﻮﻄﻘﻣ HBSA_002_194to207_ArabianSights_11720514.indd 19904/07/2021 04:15:55 PMNext >